STABILIZED-NON STABILIZED
REMOTE HEAD SPECIALISTS

2 Axis – 3 Axis – IMAX – 3D – Telescopic Cranes – Fixed Cranes – Wireless – Cable Cam – Boat to Boat – Car to Car

ABOUT US:

Aris G Films Ltd. has over twenty years of cinematic experience in camera support and operation, providing top-notch services to big name productions both in North America and abroad. From film to HD digital to IMAX to 3D, our award-winning equipment and technical support has continued to provide beautiful answers to the many creative challenges faced by today’s filmmaker. Our level of excellence and commitment to vision gives the necessary freedom and quality assurance productions demand as they seek to please an increasingly sophisticated viewing audience. With both stabilized, non-stabilized and wireless remote head systems, you provide the challenge, Aris G Films provides the solution.

* Additional systems available.*

  • Latest technology in stabilization.
  • System can be operated as both state-of-the-art stabilized or non-stabilized.
  • 25 years of engineering & experience.
  • Separates the technicians console from the operators controls, allowing technician to make adjustments without interrupting the operator.
  • Continuous 360° roll alpha accessory easy to install.
  • Advanced wireless data control system.
  • Fully repeatable.
  • Weighs 55 pounds.
  • Holds 150 pounds – IMAX, 3-D rigs.
  • Compatible with all popular cranes and cameras.
    View Selected List
  • Reliable in extreme weather conditions
  • Re-balances from a zoom to a prime in seconds with no extra counterweight added
  • Works on all camera mount platforms, telescopic cranes, fixed cranes, car to car, boat to boat and cable cam systems
  • Fastest ready to shoot system on the planet
  • Extremely rigid and durable
  • No electronics on camera mount base, allowing you to safely set your lens 4 inches off the ground
  • 25 years in the camera department has provided the opportunity to work with almost every stabilized non-stabilized remote head on the market.
  • Experience in the last 5 years with the Alpha Stabilized remote head has provided the chance to test the limits of technology to the fullest.
  • Worked in all types of weather conditions, prepared for whatever mother-nature has in store.
  • A custom covered, self-built, operator cart and outfitted truck holds everything required to deal with whatever shot is presented. Resulting in self-sufficient operations regardless of the weather conditions.

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Telescopic Cranes

Supertechno 50
Moviebird 35/45
Super Scorpio 37
Scorpio 23
Supertechno 30
Technocrane 30
Moviebird 24
Supertechno 22
Technocrane 20
Moviebird 17
Supertechno 15
Techodolly
Scarab
Taurus
Badger

Modular Cranes

Akela
Strada
GF 16
GF 8
Giraffe Classic
Inverted Crane
Phoenix Crane
Superaero Crane
Areocrane Jib

Cameras

Arri – Alexa
Red – Epic & Dragon
Panaflex
Millennium
Genesis
Sony F55
SonyF35
SonyF23
Phantom Flex 4K
Arricam
Arriflex 535 Camera
IMAX
3D

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STABILIZED REMOTE HEAD SYSTEM:

The Alpha Stabilized Remote Head System is a shining example of expert engineering built on creative genius. Alpha’s award-winning design and leading-edge stabilization technology is crafted on 25+ years of film-making experience. Its incredible versatility allows the Alpha to be modified on the fly, making it the perfect companion for film,HD, IMAX and 3D camera packages. Isolated operations give the camera operator and remote head tech complete freedom to act independently without interfering with each other. Whether you’re shooting on a studio backlot in Vancouver or on the lava fields of Iceland, Alpha’s performance is second to none, offering up excellent cost-effective results within reasonable time frames.

See Specifications
  • Lightweight (55 lbs) and structurally rigid.
  • Max payload – 150lbs
  • Designed to balance camera packages without the need of counter weights.
  • Stabilization guarantees image stability in long focal length shots.
  • Adjustable dovetails allow head re-sizing without dismantling.
  • Wheel, joystick or pan bar control.
  • State-of-art real-time wireless data control also available.
  • Stabilization on all or select axis
  • Auto Horizon level
  • Programmable limits
  • Repeatable moves
  • 3D compatible
  • IMAX capable
  • Attaches to any Mitchell mount
  • Continuous 360° roll available.

STABILIZED REMOTE HEAD SYSTEM:

The Alpha Stabilized Remote Head System is a shining example of expert engineering built on creative genius. Alpha’s award-winning design and leading-edge stabilization technology is crafted on 25+ years of film-making experience. Its incredible versatility allows the Alpha to be modified on the fly, making it the perfect companion for film,HD, IMAX and 3D camera packages. Isolated operations give the camera operator and remote head tech complete freedom to act independently without interfering with each other. Whether you’re shooting on a studio backlot in Vancouver or on the lava fields of Iceland, Alpha’s performance is second to none, offering up excellent cost-effective results within reasonable time frames.

See Specifications
  • Lightweight (55 lbs) and structurally rigid.
  • Max payload – 150lbs
  • Designed to balance camera packages without the need of counter weights.
  • Stabilization guarantees image stability in long focal length shots.
  • Adjustable dovetails allow head re-sizing without dismantling.
  • Wheel, joystick or pan bar control.
  • State-of-art real-time wireless data control also available.
  • Stabilization on all or select axis
  • Auto Horizon level
  • Programmable limits
  • Repeatable moves
  • 3D compatible
  • IMAX capable
  • Attaches to any Mitchell mount
  • Continuous 360° roll available.

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SEE ALPHA IN ACTION:

SL Pod:

The finely engineered SL Pod remote head system is a leader in the industry, performing in the tightest of spots with the freedom of wireless control. Its unique dovetail design makes for an easy set-up measured in seconds, conserving time and money while producing beautiful results. When space is a consideration, whether you’re filming in Vancouver, the Lower Mainland or anywhere else in North America, the SL Pod should be your only consideration.

  • 2 axis remote head system, geared for video, film and HD cameras
  • 2 axis repeatable
  • 2 axis repeatable limits, damping and speed adjustment
  • Joystick and Handwheel control
  • Wireless
  • Small Upright/Underslung: 14” X 15” X 7”
  • Fully Extended: 22.5” X 15” X 7”
  • Weight approximately 20 lbs
  • Max. load: 50 lbs

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Alpha 360°
Continuous Roll Ring

See Specifications

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HME Wireless
Headsets

See Specifications

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Preston
Remote FIZ

See Specifications

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Boxx TV Meridian
HD/SD Transmitter

See Specifications

CREDITS:

Batman VS Superman (2016)
Interstellar (2014)
Exodus: Gods and Kings (2014)
Spy (2015)
Frankenstein (2015)
Big Eyes (2014)
Kingsman: Secret Service (2014)
Mortdecai (2015)
Island of Lemurs: Madagascar IMAX 3D (2014)
A Million Ways to Die in the West (2014)
Into The Storm (2014)
Guardians of the Galaxy (2014)
Jem and the Holograms (2016)
Glee (Season 5)
Nightcrawler (2014)
BMW Commercial
Constantine (Pilot)
New Girl (Season 3)
Parks and Recreation (Season 6)
Gang Related (Season 1)
The Flash (Pilot)
Agents of S.H.I.E.L.D. (Season 1)
The Last Ship (Season 1)
Teen Wolf (Season 4)
The Killing (Season 4)
Agent X (Pilot)
The Purge: Anarchy (2014)
Blended (2014)
Sex Tape (2014)
Daft Punk “Instant Crush” Music Video
Time Warner Cable 2014 Superbowl Commercial
The 71st Golden Globe Awards (2014)
Glee (Season 4)
Hilton Commercial
Cathedrals of Culture 3D (2014)
Raising Hope (Season 4)
The Walking Dead (Season 5)
Cedar Cove (Season 2)
Awkward (Season 4)
Jersey Boys (2014)
Transformers: Age of Extinction (2014)
American Horror Story: Coven
Teen Wolf (Season 3)
Thor: The Dark World (2013)
Jane Got a Gun (2014)
Hercules: The Thracian Wars (2014)
Dracula (Series)
Noah (2014)
The Monuments Men (2013)
Game of Thrones (Season 4)
Falling Skies (Season 4)
Teenage Mutant Ninja Turtles (2014)
Bates Motel (Season 1)
Witches of East End (Season 1)
Boardwalk Empire (Season 4)
Experian Commerical
King & Maxwell (Season 1)
Kitchenaid Commercial
Motor Trend Magazine Digital Edition
Major Crimes (Season 2)
Noble (2014)
Jinxed (2014)
Labor Day (2013)
Mad Men (Season 6)
The List (Pilot)
The Newsroom (Season 2)
Got To Dance 3D Season Finale (UK)
Southwest Airlines Commercial
Fort Ross (2014)
Volkswagen 2013 Super Bowl Commercial
GMC Commercial
Chevy Impala Commercial
Honda Indy Experience Commercial
Turbo Tax Pawn Stars Commercial
Les Misérables (2012)
A Most Wanted Man (2013)
Charter Communications Commercial
Sony Bravia Commercial
Justified (Season 4)
Revenge (Season 2) Promo
Hansel & Gretel: Witch Hunters (2013)
The Internship (2013)
American Airlines Commercial
American Horror Story: Asylum
Game Of Thrones (Season 3)
The Hangover III (2013)
McDonalds Commercial
Borgia (Season 2)
AndroGel Commercial
CSI: New York (Season 9)
Jay Z Concert
2012 Olympics (UK)
Tostitos Commercial
Honda Commercial
GMC Commercial
Rogue (Season 1)
47 Ronin 3D (2013)
Skyfall (2012)
Target Commercial
Jerusalem: The Movie IMAX 3D (2013)
Dick’s Sporting Goods Nike Commercial
Revolution (Season 1)
Singularity (2012)
Katy Perry: Wide Awake 3D (2012)
Geico Commercial
Gannett Commercial
Sin City Kustoms (Season 1)
NASCAR Commercial
Snow White And The Huntsman (2012)
Game Of Thrones (Season 2)
Dancing On Ice (UK)
Lapland (2012)
Cirque du Soleil: Worlds Away 3D (2012)
Dexter (Season 7)
Budweiser 2012 Super Bowl Commercial
Got To Dance 3D (UK)
War Horse (2011)
Glee: The 3D Concert Movie (2011)
Flight Of The Butterflies IMAX 3D (2011)
Black Eyed Peas In Central Park 3D
Dancing With The Stars Commercial
Shark Night 3D (2011)
The Mentalist (Season 3)
Mad Men (Season 5)
The Three Musketeers 3D (2011)
Sony F-65 Promotional Video
UniQlo Commercial
Honda Commercial
Ciara Music Video
Weeds (Season 6)
Criminal Minds (Season 6)
Fast Five (2011)
View Detailed List

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GET IN TOUCH:

Vancouver | Calgary | Winnipeg | Toronto | Montreal

 

[email protected]
1.604.649.1463
www.arisgfilms.com

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For estimates, comments, or questions, feel free to submit the contact form below or contact Aris directly:

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