STABILIZED-NON STABILIZED
REMOTE HEAD SPECIALISTS

2 Axis - 3 Axis - IMAX - 3D - Telescopic Cranes - Fixed Cranes - Wireless - Cable Cam - Boat to Boat - Car to Car

About Us:

Aris G Films Ltd. has over twenty years of cinematic experience in camera support and operation, providing top-notch services to big name productions both in North America and abroad. From film to HD digital to IMAX to 3D, our award-winning equipment and technical support has continued to provide beautiful answers to the many creative challenges faced by today’s filmmaker. Our level of excellence and commitment to vision gives the necessary freedom and quality assurance productions demand as they seek to please an increasingly sophisticated viewing audience. With both stabilized, non-stabilized and wireless remote head systems, you provide the challenge, Aris G Films provides the solution.

* Additional systems available.*

FEATURES

  • Latest technology in stabilization.
  • System can be operated as both state-of-the-art stabilized or non-stabilized.
  • 25 years of engineering & experience.
  • Separates the technicians console from the operators controls, allowing technician to make adjustments without interrupting the operator.
  • Continuous 360° roll alpha accessory easy to install.
  • Advanced wireless data control system.
  • Fully repeatable.
  • Weighs 55 pounds.
  • Holds 150 pounds – IMAX, 3-D rigs.
  • Compatible with all popular cranes and cameras.
View selected list.

ADVANTAGES

  • Reliable in extreme weather conditions
  • Re-balances from a zoom to a prime in seconds with no extra counterweight added
  • Works on all camera mount platforms, telescopic cranes, fixed cranes, car to car, boat to boat and cable cam systems
  • Fastest ready to shoot system on the planet
  • Extremely rigid and durable
  • No electronics on camera mount base, allowing you to safely set your lens 4 inches off the ground

TECHNICIAN

  • 25 years in the camera department has provided the opportunity to work with almost every stabilized non-stabilized remote head on the market.
  • Experience in the last year and a half with the Alpha Stabilized remote had has provided the chance to test the limits of technology to the fullest.
  • Worked in all types of weather conditions, prepared for whatever mother-nature has in store.
  • A custom covered, self-built, operator cart and outfitted truck holds everything required to deal with whatever shot is presented. Resulting in self-sufficient operations regardless of the weather conditions.
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Your First Choice.

Alpha Stabilized Remote Head System:

The Alpha Stabilized Remote Head System is a shining example of expert engineering built on creative genius. Alpha’s award-winning design and leading-edge stabilization technology is crafted on 25+ years of film-making experience. Its incredible versatility allows the Alpha to be modified on the fly, making it the perfect companion for film, HD, IMAX and 3D camera packages. Isolated operations give the camera operator and remote head tech complete freedom to act independently without interfering with each other. Whether you’re shooting on a studio backlot in Vancouver or on the lava fields of Iceland, Alpha’s performance is second to none, offering up excellent cost-effective results within reasonable time frames.

See Specifications
  • Lightweight (55 lbs) and structurally rigid.
  • Max payload – 150lbs
  • Designed to balance camera packages without the need of counter weights.
  • Stabilization guarantees image stability in long focal length shots.
  • Adjustable dovetails allow head re-sizing without dismantling.
  • Wheel, joystick or pan bar control.
  • State-of-art real-time wireless data control also available.
  • Stabilization on all or select axis
  • Auto Horizon level
  • Programmable limits
  • Repeatable moves
  • 3D compatible
  • IMAX capable
  • Attaches to any Mitchell mount
  • Continuous 360° roll available.
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SEE ALPHA IN ACTION:

We Do It All.

SL POD:

The finely engineered SL Pod remote head system is a leader in the industry, performing in the tightest of spots with the freedom of wireless control. Its unique dovetail design makes for an easy set-up measured in seconds, conserving time and money while producing beautiful results. When space is a consideration, whether you’re filming in Vancouver, the Lower Mainland or anywhere else in North America, the SL Pod should be your only consideration.

  • 2 axis remote head system, geared for video, film and HD cameras
  • 2 axis repeatable
  • 2 axis repeatable limits, damping and speed adjustment
  • Joystick and Handwheel control
  • Wireless
  • Small Upright/Underslung: 14” X 15” X 7”
  • Fully Extended: 22.5” X 15” X 7”
  • Weight approximately 20 lbs
  • Max. load: 50 lbs
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Accessories

ac1

Alpha 360° Continuous Roll Ring.

See Specifications
ac3

HME Wireless headsets

See Specifications
ac4

PRESTON
REMOTE FIZ

See Specifications
ac5

Boxx TV Meridian HD/SD Transmitter

See Specifications

Credits:

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GET IN TOUCH:

Vancouver | Calgary | Winnipeg | Toronto | Montreal

aris@arisgfilms.com
1.604.649.1463
www.arisgfilms.com
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For estimates, comments, or questions, feel free to submit the contact form below or contact Aris directly:

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